We Free Kings
02. Moon Song 4:17
03. A Sack Full Of Soul 4:35
04. The Haunted Melody 3:36
05. Blues For Alice 4:04
06. We Free Kings 4:45
07. You Dit It, You Did It 2:24
08. Some Kind Of Love 6:06
09. My Delight 4:26
Bass – Art Davis (tracks: A3, A4, A5, B4), Wendell Marshall (tracks: A1, A2, B1, B2, B3)
Drums – Charlie Persip
Piano – Hank Jones (tracks: A1, A2, B1, B2, B3), Richard Wyands (tracks: A3, A4, A5, B4)
Tenor Saxophone, Manzello, Stritch, Flute – Roland Kirk
This session was recorded monaurally and stereophonically at Nola Penthouse Studios in New York City, with Tommy Nola at the controls and Jack Tracy supervising. Rhythm section microphones used were a Neuman U 48 on piano, RCA 44 on the bass, and a Telefunken U 47 on drums, A Neuman KM 54 was used on Roland Kirk's horns, with an Electro Voice 667 suspended above it at forehead level to pick up his flute. The entire session was recorded at 15 inches per second on Ampez tape recorders.
We Free Kings, Roland Kirk's third long-player, is among the most consistent of his early efforts. The assembled quartet provides an ample balance of bop and soul compliments to Kirk's decidedly individual polyphonic performance style. His inimitable writing and arranging techniques develop into some great originals, as well as personalize the chosen cover tunes. With a nod to the contemporary performance style of John Coltrane, as well as a measure of his influences -- most notably Clifford Brown and Sidney Bechet -- Kirk maneuvers into and out of some inspiring situations. His decidedly 'Trane-esque solos on "My Delight" are supported with a high degree of flexibility by one-time Charles Mingus' pianist Richard Wyands and Dizzy Gillespie percussionist Charlie Persip. The album's title track is a Kirk original, based on the melody of the Christmas hymn "We Three Kings." Incorporating recognizable melodies into Kirk's oft times unorthodox musical settings would prove to be a motif throughout his career. An example is the highly touted cover of Charlie Parker's "Blues for Alice." This is an ideal avenue for the quartet to explore one of Kirk's specialties -- the blues. The almost irreverent manner in which he fuses blues and soul music into the otherwise bop-driven arrangements is striking. "A Sack Full of Soul" is a funky number with a walking-blues backbeat that perfectly supports Kirk's swinging solos. The stop time syncopation is reminiscent of Ray Charles' "What'd I Say." The 1987 CD version also includes an alternate take of "Blues for Alice." One additional track -- a cover of the Frank Loesser standard "Spring Will Be a Little Late This Year" -- was also recorded at these sessions and remained unissued until its inclusion on the ten-disc Rahsaan: The Complete Mercury Recordings of Roland Kirk box set.