Monday, November 6, 2017

Henri Texier - 1977 - Varech

Henri Texier 

01. Les "Là-bas"
02. Quand Le Blues S'en Ira
03. L'éléphant
04. Terre-Basse
05. Varech
06. Mr Donald Cerise
07. Angèle
08. L'écluse
09. L'ultime Danse

Contrabass, Oud, Flute, Bombarde, Bass [Fender], Percussion – Henri Texier

Recorded at Studio "SYSMO-RECORDS" Paris June 1977.

Henri Texier is an outstanding French bassist who has concentrated most of his activity in his native land. Born in Paris, Texier began his career at age 15 playing piano in nightclubs, but he soon switched to bass in order to play in the big band of Jef Gilson. That brought Texier into contact with drummer Daniel Humair, and together they developed one of the strongest rhythm sections working in France in the early '60s. Texier and Humair quickly found work backing up touring American artists, among them Bud Powell, Donald Byrd, Phil Woods, Dexter Gordon, and Chet Baker. By 1968, Texier and Humair had been joined by pianist Martial Solal, and the three collaborated on some pivotal recordings made with vacationing saxophonist Lee Konitz. Also in 1968, Texier formed the group European Rhythm Machine, which featured Woods, Humair, Gordon Beck, and George Gruntz.

In the '70s, Texier took time off to learn a number of additional instruments, including oud, flute, cello, and various types of percussion, and to develop his singing voice. Upon his return to full-time performance, Texier played in a number of ensembles, often with Louis Sclavis and drummer Aldo Romano. In 1986, Texier began a fruitful relationship with Label Bleu, which has released most of his work since then. In the early '90s, Texier's son Sebastian Texier joined on as reed player with his father's groups, often playing clarinet. North African motifs have played an important part in Texier's work since the mid-'90s and in 2001, Texier's trio began to tour Europe accompanying the practically silent 1970 Algerian film Remparts d'Argile.

Henri Texier has a strongly physical approach to the bass, although his tone is often described as "bell-like." American auditors may feel that Texier simply walks a crooked line between hard bop and free, but in France Texier has gained recognition for his work in developing a type of jazz that is uniquely French and not beholden to American models. In June 2001, Texier was made a Chevalier of the l'Ordre National de la Légion d'Honneur, the highest honor the French government accords to its artists.

I've listened to this LP quite a lot for the last past months. and i'm still amazed by its musical quality. This is a Jazz LP but not your common urban swing or Jazz/Funk extravaganza, can i describe it ? Let's say modal intimate groove with a rural inclination and occasional wordless vocals.
"Varech" is the second Henri Texier solo album, and when i say solo, i mean solo. Texier is alone on this one and plays all the instruments (Double-bass, Oud, Flute, Bombard, Fender-bass and Percussions) using the rerecording technique. This second solo effort is very similar to its first one, "Amir"

If you are into french Jazz, Bass oriented records or simply men with beard...This is surely one for you !
Oh yes, "Varech" was briefly available on CD about ten years ago but has been deleted and is now unavailable.



  2. Thank you so much for the information and for sharing this wonderful album. It really is startling in its originality and a pleasure to listen to.