Friday, July 1, 2016

Edgar Broughton Band - 2004 - Keep Them Freaks A Rollin'

Edgar Broughton Band 
Keep Them Freaks A Rollin
Live At Abbey Road, December 1969

01. Smockestack Ligh0tning 10:43
02. What Is A Woman For? 11:02
03. Yason Blues 4:23
04. Refugee 9:06
05. Dropout Boogie 5:30
06. American Boy Soldier 14:52
07. Momma's Reward (Keep Them Freaks A Rollin') 6:56
08. Out Demon's Out 9:55

Bass, Vocals – Arthur Grant
Drums – Steve Broughton
Guitar, Vocals – Edgar Broughton

Recorded Live at Abbey Road Studio Two on the 9th December 1969. Mixed from the original Eight Track tapes by Paschal Byrne and Mark Powell at the Audio Archiving Company 14th January 2004.

A legend in its own lifetime, Keep Them Freaks a Rollin' was, as its subtitle makes plain, recorded live at Abbey Road Studios in 1969, as a possible first album by the then newly signed Broughton Band. However, the tapes were shelved in favor of a more conventional studio recording, and only one excerpt ever made it out, a harshly edited 45 of the closing "Out Demons Out," already established as the band's live tour de force. The full-length version, however, remained unheard and, like the rest of the show, it eventually faded into mythology. The tapes were finally resuscitated in 2004, to herald EMI's CD remastering of the full Edgar Broughton Band catalog. And, though 35 years had now passed, the primal energy and majesty of the Broughtons in full flight still burns through. Egged on by a studio full of friends and fans, the band recounts its entire period live show, with a churning "Smokestack Lightning" and an evil "Dropout Boogie" pinpointing the two influences that collided to create the Broughtons' own unique brew. "American Boy Soldier," still one of the most potent protest songs of the entire Vietnam era (and an equally valid component in the modern-day outfit's live show) is spellbinding and, at almost 15 minutes, spotlights the band's improvisational powers to perfection. And then there's "Out Demons Out," restored to its full ten-minute glory once again, and still capable of swaying the stoniest heart. Would history have been different had this become the band's debut album? Probably not -- and besides, what would have become of Wasa Wasa if it had? But still, any survey of the British underground through the early '70s would be woefully incomplete without an evening spent with this album and, alongside Hawkwind's Doremi Fasol Latido, the first Pink Fairies album, and Mick Farren's Carnivorous Circus, it remains the key to what that entire movement was all about.



  2. Used to be mistaken for Edgar back in the day, not sure who has aged best.