Ceremony ~ Buddha Meet Rock
02. Shomyo Part 1
04. Flower Strewing
05. Shomyo Part 2
06. Prayer Part 1
07. Prayer Part 2
- Kimio Mizutani / electric guitar, slide guitar, acoustic guitar, sitar
- Hideaki Takebe / bass
- Kiyoshi Tanaka / drums, percussion
- Yuusuke Hoguchi / organ, piano, voices
- Rarry Sunaga / percussion
- Akemi Tomura / voices
- Goro Inoue / voices
- Kyo Shibata / voices
- Maiya Sugihara / voices
PEOPLE were formed during a short term in 1971 as an (nearly) occasional 'shooting star' project to produce a novel psychedelic rock by blending their rock sounds and Buddhist Shomyo (sutra). All the members were renowned and talented Japanese session musicians - Kimio MIZUTANI (guitars, sitar), Yusuke HOGUCHI (keyboards, voices), Hideaki TAKEBE (bass), Kiyoshi TANAKA (drums, percussion), and Rally SUNAGA (gong, percussion). Calling Naoki TACHIKAWA as a producer and a director, they released a solemn and mysterious psych rock album 'Ceremony ~ Buddha Meet Rock' (1971), which was much appreciated by worldwide psychedelic rock fans.
Psychadelic rock from Japan. Vinyl release from 1971, from what I hear it's extremely hard to find, but has been reissued. This is the original vinyl rip.
Nobody’s sure if the muscians on this recording ever performed as a group or whether Ceremony was simply a studio super project. Certainly guitarist Kimio Mizutani had already enjoyed a certain amount of crticial exposure following stints with Love Live Life + One and Masahiko Satoh’s Sound Brakers and it is Satoh’s jazzy fuzz guitar licks that help to lift this album to a higher level. Unfortunately this was the ensemble’s only album, but the concept work, Ceremony – Buddha Meets Rock, is an absolute classic. As the title suggests, this 1971 recording was an attempt to fuse Buddhist-influenced spiritual vibe into an innovative oriental form form of hypnotic psychedelic prog rock. . All in all a rather weird record but the sound is mindblowing – experimental and trippy, but never too free or over the top, and at times a more traditional Japanese style of music lurks in the background. A monumental album that’s never going to go out of style.
There’s lots of nice fuzz guitar leads and overall, a very sanctified vibe that makes this a deep but groovy experience. Following this , Mizutani recorded his equally great solo album.
Quite a weird little record -- part psychedelia, but with some really rootsy elements -- and also some odd use of recorded music as well! The sound here is really mindblowing -- experimental and trippy, but never too free or over the top -- and the core instrumentation includes lots of fuzzy guitar, organ, and rough percussion -- plus additional vocals in parts, and even a bit of sitar as well! The production abstracts some of the sounds nicely, but never too much -- and at times a more traditional Japanese style of music lurks in the background, possibly as a brief nod to the Buddha in the title. Most unusually, though, is that the first track on the record features part of a David Axelrod album playing in the background! There's clearly an Axelrod influence going on -- both in the structure and sound of the record -- although the group also take things very much in their own direction too.".