01. Vampire Symphony
a) Sister Bleu (First Movement) 3:53
b) Leper's Epitaph (Second Movement) 1:34
c) Policeman's Ball (Third Movement) 2:24
d) Littal Lieu Lieu's Revenge (Fourth Movement) (Adventures In The Clubhouse N. S. U. Part II) 0:15
02. Faces Of Roses 3:37
03. I'm Talking About You 3:25
04. Scorpio Woman 6:46
05. Mark Of The Beast 2:37
06. Moanin' 4:21
07. With Love 2:30
08. I Hear The Spirits 3:22
Bass, Keyboards, Backing Vocals, Percussion – Burns Kellogg
Drums, Percussion – Greg Thomas (3)
Lead Guitar, Rhythm Guitar, Lead Vocals, Backing Vocals, Kazoo – Bruce Stephens
Cover features a square die-cut hole on front.
The Mint Tattoo was born as an offshoot of the legendary 60's proto punk acid band Blue Cheer. Bruce Stephens and Ralph (Burns) Kellogg had played together in Blue Cheer on band's self titled album in 1969, but after that one album, Stevens left the band to pursue other interests. Kellogg stayed on with Blue Cheer until the demise of the band in 1971, but during his tenure with Blue Cheer he reunited with Stevens along with drummer Gregg Thomas to form the band Mint Tattoo. Produced by James William Guercio (Chicago) and recorded at A&R Studios, and engineered by Phil Ramone in New York.
An interesting oddity from 1968...With, cult group,Blue Cheer emerged two formations: Silver Metre (with Leigh Stevens), Pilot (not to be confused with the British) and the Mint Tattoo - where he played Burns Kellogg and Bruce Stevens. the only one album of this formation very nice, definitely guitar heavy album with a big dose of improvised music!
Primarily blues based rock of above average quality, this group has almost progressive ambitions at times. While they don't always measure up, they do go in some fascinating directions. Unusual song structures and lyrical ideas share space with hard rockin' blues. It's no where near the quality of Jeff Beck's Truth, but this album grows on me a little more with each listen (I have an old vinyl copy I picked up second hand). The band obviously needed a little more time to grow, but they fell apart before they really had a chance to establish their sound and direction.
Bruce Stephens' raspy vocals fit the rockers, but can wear thin on some of the other numbers. He's certainly no Steve Marriot. He and keyboardist Burns Kellog show up in Blue Cheer a year later to finish out the New! Improved!! album. Kellog would hang in for a few years and albums, but Stephens would depart before finishing B.C.'s self titled album of late '69, going on to form Pilot. I suppose the songs he did with B.C. can give you a hint at what this disc sounds like, and if you enjoy those you'll probably like this. I like this album, but it falls short of its potential. Interesting artwork and ideas.
Mint Tattoo is a mixture of blues styled original songs, a cover of classic a blues numbers and some rather uninspired, typical for the era hard rock tunes. Not an overly exciting album, compared to the early Blue Cheer material, but none the less a period piece and better than most material that was being released in the early 70's. This reissue contains one bonus track and has faithfully reproduced the original graphics in digipack Akarma CD format as it originally appeared LP Record Label Dot Records DLP25918 in 1969