Saturday, November 5, 2016

Yosuke Yamashita Trio - 1977 - Arashi

Yosuke Yamashita Trio
1977 
Arashi




01. Moonlight Desert  (11:57)
02. Flower Corpse  (6:06)
03. Prelude by Gong and Human Voices  (3:28)
04. Ghosts Part I  (2:14)
05. Ghosts Part II  (4:20)
06. Golden Veins of a Leaf  (4:03)
07. Nihility Mobs: Interlude by Footsteps  (1:47)
08. An Age Is a Sunlight Coming through the Foliage of the Woods  (10:21)
09. Theme for Arashi  (2:58)
10. Great Nihility Conference: Part I-V  (21:07)
11. A Hairstic and a Liliputian Part I  (0:51)
12. A Hairstic and a Liliputian Part II  (0:17)
13. A Fan and a Doll  (0:49)
14. The Future War  (0:46)
15. Forest in Forest Shade  (1:01)
16. Theme for Arashi  (18:43)
17. Moonlight Desert  (2:55)

Yosuke Yamashita: piano, percussion
Akira Sakata: alto saxophone, clarinet, percussion
Shohta Koyama: drums, percussion

Gerald Oshita: tenor saxophone, soprano saxophone, percussion
Dairakudakan (Maro Akaji, Ushio Amagatsu, Ko Murobushi, Tetsuro Tamura, Man Uno, Naohiko Torii, Kosei Inao, Nanten Harada, Junpei Sakai, Yosuke Matsuzawa, Mutsuko Tanaka, Anzu Furukawa, and Keiko Katsumata): Butoh dance

Recorded at Nihon Seinenkan on September 29, 1976.

LP size inserts: 4 page booklet with photos and Japanese text, 1 sheet with text and credits in Japanese.



"Arashi" is exceptional album in history of Japanese avant-garde jazz. Recorded in September 1976 and released next year, it is kind of swan song of country's free jazz golden era.

Pianist Yosuke Yamashita beside of Masahiko Satoh is a key person in Japanese avant-garde jazz piano. Heavily influenced by Cecil Taylor, Yosuke has his own sound though - not so heavy,very fast,colder(more mechanical?)and kind of sliding. Still main "Akashi"'s hero is not him, but excellent sax player Akira Sakata who at the time was regular member of Yamashita Trio. With third trio member Shota Koyama and guest reedist Gerald Oshita band surprisingly often sounds as much bigger orchestra. Being a direct recording from live show with 13-piece Butoh dance troupe, double album contains some places where not much happens (at least musically) what made it a bit inconsistent (obviously video version could fill that gap), but it doesn't destroy the overall impression too much.

Starting from catchy cover art (with one of dancers pictured in action)and very first opener's sounds the listener can expect something non-ordinary and he wouldn't be disappointed. Almost twelve-minutes long opener "Moonlight Desert" is perfect tuneful song with one sax playing almost straight beautiful melody and the other jumping and squawking all around with unbelievable speed and intensity.

In longer than one and half hour concert there are everything you want - free jazz sax acrobatics, characteristic Eastern percussion,ethnic Japanese elements and ambient noises,blended with dancers steps on the scene's floor,which can be well heard in moments and than become part of rhythm section. There are trio's very own version of Albert Ayler's "Ghosts"(Ayler was a very strong influence to sax player Akira Sakata) or better to say - two versions, which cover vinyl version Side A and opens Side B. The later contains screaming vocals (in Japanese) by its intensity and emotional level beating highest Japanese standards.

Central album's part (partially sides B & C) are filled mostly with short minimalist piano-led miniatures, sometimes almost groovy, in moments - near classic, almost all - elegantly beautiful,which most probably serving dance troupe actions. Still two longer pieces (between 18 and 21 minutes long) return band on the front of the scene.

Very variable, this album has that cinematic feel when the music is of so good quality that being formally a soundtrack for theatrical action is successfully living its own life. And even more - all this is played and performed live - and that real-time atmosphere is perfectly presented.

Even late 70s already weren't so great for such music in Japan, it's just a miracle how such a large-scale show/recording ever happened. Very soon domestic free jazz stars will go low profile playing small underground venues or re-switching to always popular on Japanese scene hard bop.

So what does that free jazz of Albert Ayler have in common with Japanese trio, discover it here...

1 comment:





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