King of Kings
01. Mogho Naba (King of Kings)
02. Queen of the Spirits
03. Nsorama (The Stars)
04. My Africa
Alto Saxophone, Composed By, Talking Drum, Balafon, Percussion [Calypso Box, Ethiopian Drum], Other [One-stringed Goge], Talkbox – Bruce Baker, Idris Ackamoor
Bass [Hagstrom], Idiophone [Ugandan Harp], Percussion – Kwame Kimathi Asante, Thomas Williams
Cello, Guest [Guest Artist] – Chris Chafe
Congas, Percussion – Bradie Speller, Hekartah
Drums, Bongos, Percussion – Donald Robinson
Flute, Percussion – Margo Ackamoor
Piano, Percussion, Guest [Guest Artist] – Jerome Saunders
Vocals – The Pyramids
They Play to make music Fire,
They Play to make the soul Burst out of the Body. - Vassime
"Recorded in the Country" at Appalachia Sound Recording Studio, Chillicothe, Ohio in March, 1974.
African Statue, courtesy Marvin Jones, Acirfa Company, 1137 E. 50th St., Chicago, Ill.
King of Kings was the second album that reunited all original members including drummer Donald Robinson while adding several special guests, pianist Jerome Sanders, and cellist Chris Chafe. King of Kings was recorded at Appalachia Sound Recording Studio located several hours away from Antioch in Chillicothe, Ohio. Unknown to the band at the time, Chillicothe was the site of ancient Indian burial mounds. This reality added to the very spiritual quality of the recording. The opening track "Mogho Naba" continued the groups' fascination and interest in African history and reflections. The Mogho Naba is the King of the Mossi people in what is now Burkina Faso, but dates back in antiquity. The tune's rhythm is infectious. The use of call and response chants and beautiful horn lines is meant to hypnotize and induce trance elevating spiritual consciousness. "Queen of the Spirits" was written as a dedication to flautist Margaux Simmons. It is one of the bands' favorite pieces of music. Utilizing the Ugandan harp, the African one string fiddle (goge), percussion, piano, and cello, the closing is prescient harking to world music and music for meditation that would come years later. The UK band Bonobo sampled a section of the composition for their hit album Days to Come.