Waka / Jawaka
01. Big Swifty (17:23)
02. Your Mouth (3:12)
03. It Just Might Be a One-Shot Deal (4:16)
04. Waka/Jawaka (11:18)
In a Warner PR document, written in August by FZ prior to touring in 1972 (and not circularized until Sep '72), he describes this album as "The Hot Rats Waka/Jawaka album" in his reference to the musical structure of the track "Big Swifty" (The taps on the cover also being tagged "Hot" & "Rats").
Independent to this, he has stated that "Waka/Jawaka" was "...something that came up using a Ouija board"
- Frank Zappa / guitar (acoustic), guitar, percussion, keyboards, sound effects, vocals
- George Duke / keyboards, piano (electric), vocals, tack piano, ring modulated keyboard
- Don Preston / synthesizer, piano, moog synthesizer, mini moog
- Sal Marquez / trumpet, chimes, flugelhorn, vocals
- Jeff Simmons / bass, guitar, vocals, Hawaiian guitar
- Aynsley Dunbar / guitar, drums, tambourine, Washboard
- Sneaky Pete Kleinow / pedal steel
- Mike Altschul / bass, flute, clarinet (bass), flute (bass), piccolo, sax (Baritone), sax (Tenor)
- Billy Byers / trombone, horn (Baritone)
- Alex Dmochowski / bass
- Tony Duran / vocals, slide guitar
- Erroneous / bass (electric), vocals, fuzz bass
- Janet Ferguson / vocals
- Joel Peskin / sax (Tenor)
- Chris Peterson / vocals
- Kenny Shroyer / trombone, horn (Baritone)
- Ian Underwood / guitar, keyboards, wind
Opening on the awesome sidelong Big Swifty, this is about as close as Zappa gets to Bitches Brew, Mwandishi or Body Electric and he does a very credible job, in part due to Ainsley Dunbar's incredible drumming. Dunbar is always remembered as a blues drummer as he started with his Retaliation groups, his John Mayall and Jeff Beck collabs, but his best works are with Zappa and the first two albums of Journey. Anyway, Swifty is a superb journey in the arcades of jazz-rock, and in a way prefigures what's coming in The Grand Wazoo.
The flipside starts rather average on the surprising (but not really in a pleasant way) Your Mouth that features some rather strange (for Zappa albums) vocals on a straight blues-rock tune with brass arrangements. Definitely the low point of an otherwise perfect album. Up next is One-Shot Deal that picks up where Your Mouth left out, but with a jazzy slant, especially in the instrumental break, where Francesco plays a twangy Hawaiian guitar solo. The closing title track is another shot at pure jazz-rock (and a recall of Big Swifty), but more in the later 70's fusion-type the brass section kicks-off in big-band (or Chicago Transit Authority) style and later a Moog-style solo, but again Ainsley is the unsung hero. Most people that have been through the Mothers come out of that band as fully accomplished musicians, and from hearing Ainsley on this one but especially the following one, you know that the man is ready for leadership in a jazz way as Hiseman in Colosseum & Tempest or Bruford in his various groups etc...
Swifty and Jawaka are of course the highlights on this one but don't be fooled with the line-up described on this pafe, this is not yet the big band to come with Wazoo (there is less brass on this one). as Zappa decided to forget his usual derision for a while, this album reaches the five stars level, but then again there is still a remain of humour in the music itself, or alse this would not have been a Zappa album. One thing, though: the album is a bit short with its 36-mins, especially when you know that Zappa regularly surpassed 45 mins in most of his albums.
Summary: Pre-2012 CDs have copious amounts of additional reverb. The 2012 CD is dry and matches the vinyl.