Saturday, January 16, 2016

Fred - 1971 - Fred

Fred 
1971 
Fred


01. Four Evenings
02. Soft Fisherman
03. Salvation Lady
04. By The Way
05. I'll Go On
06. For Fearless Few
07. A Love Song
08. Booking Agent Blues
09. Windwords
10. A Love Song (45rpm version)

Gary Rosenberg - Lyrics, Percussion
Joe DeChristopher - Guitar
David Rose - Keyboards, Violin, Guitar, Vocals
Bo Fox - Drums
Ken Price - Keyboards
Mike Robison - Bass, Guitar, Vocals
Peter Eggers - Drums, Piano



The experience that what was Fred, goes beyond what will be said here, as the music made by the band in the years 1970-1974 goes beyond the tracks of this album. The hope in these words is to give a little historical context to the music being published here, for the first time in a collection more than thirty years after it was first recorded.

Ken Price and Joe DeChristopher began playing together while students at Bucknell University in Lewisburg Pennsylvania in 1967. Ken played keyboards, mainly a beat-up electric Wurlitzer Piano. Joe fancied himself a guitar player, but took up Bass to play in Ken’s Band “Still at Large”. When the lead Guitar player dropped out late in 1968, Ken and Joe stayed together, adding John, a young Bass player. Unfortunately, John’s freshman roommate, Bo Fox, had been snatch up by another popular fraternity dance hall band, “The Gross National Product” a trio of Bo on the Drums and two upperclassmen on Guitar and Keyboards.

While the drumming set was not well filled, Joe and Ken thought they could also use a vocalist to help out. Their classmate Gary Rosenberg self-styled poet and disc jockey at the college radio station, steered the to David Rose recently back at Bucknell after a tour of service as a conscientious objector (running a Quaker related home of disadvantaged youth in a tough part of Paris). David made a great contribution as a stager and frontman, keeping quiet the fact about that he’d been trained to play the Violin, which he started doing at the age of six.

The band known occasionally as “David Rose and his Orchid” or “Mustang Turfbinder and the Swelltones” was improving but still need help on the Drums. Help came in the autumn of 1969, when Bo’s GNP band-mates had graduated and left town, leaving him available. Again with an assist from Gary, Ken, Joe, John and David, now willing to try the Violin in the context of improvisational Rock ‘n’ Roll, matched up with Bo. Amidst the belated arrival in small-town, rural America of blossoming counterculture of Peace, Love and drugs, a wonderful musical experience was born.

Gary continued part of our experience, as a friend an source for new music from the likes of The Band, Procol Harum, Traffic, Jethro Tull, King Crimson and Frank Zappa to name a few. We spent the month of January 1970 intending to write a hundred original tunes, a task at which we failed miserably. Even so, we knew that there was something special happening, and as young and as inexperienced as we were, there was a growing will among us to keep with it.

School ended for most of us either by choice or by graduation in May 1970, but we stayed together most of us living in either of two small harm houses about 4 miles west of town. John transferred to a school in Boston, and we accepted into our ranks of ex-collegians, the outsider Michael “Bones” Robinson, self made bass player and song-writer.

We spend the summer smelling honeysuckle along the banks of the Susquehanna, on those trips back from high schools and bars to the south, near Harrisburg and York, we later spent our time building a house out of a barn for David’s family to live in (after his apartment was ruined by flood of 1972), learning to play, to write and manage on our shared income from playing music.

We attracted diverse collection of friends and well-wishers along the way, including artist/photographer L.J. Kopf roaches Roger Brown and Pat Biggs, sound engineer Charlie Bozenhard (who put together the components of a system to amplify David), Folk musicians Tom Patten and Ira Packman (who opened for some of our concerts), a group of ex-students who became carpenters working as “Grassy Flats” and many others, too numerous to mention.

By late 1971, we'd worked up several original tunes (most of them included on this album.) We managed to produce a 45 rpm single, containing "Salvation Lady" and "a love song", both with lyrics from Gary. David preached the vision of a self-sufficient community of artists, self supporting and true to itself. Gary continued to write poetry, much of which was never put to music. LJ took pictures, designed posters, and showed slides at our concerts.

Everyone took a role in the life of the band, on and off the' stage. We covered Procol Harum, Frank Zappa, Jethro Tull and Mahavishnu Orchestra, enlisting the talenls of wunderkind Peter Eggets on piano, drums when Bo took a break, horn arrangements, and a work ethic we’d never found on our own. Up into 1973, we were existing on the outside of a society in generational turmoil, enjoying our role as outsiders, defiant that hired us, and the booking agents who tried to make a dollar in marketing us.

Even so in those early years especially, we were more than the music, and bigger than the sum of our parts. With the eventual addition of Peter as a full time member of the band, came the departure of Gary, and ultimately later on the dissolution of the band, but alas, that is not the story of the music on this album.

Enjoy what is here, know there is more recorded Fred music to come, and that what is recorded here, while standing on its own merit, was also a part of the seasoning process which led to the music made later under the influence of the formidable composing and arranging skills of Peter Eggers. Welcome to the first recorded music of Fred.

 
Fred have published during his lifetime only a single ("Salvation Lady" / "a love song"). Another sorts, in the 4 years professionally with cut material disappeared in the drawer. On a lucky (for all) was discovered in a German flea market by World In Sound, an record label and shortly after, their music catalog was re-released. In the new millennium appeared two archive CDs with studio recordings from fred. While "Notes on a Picnic" includes pieces recorded 1973-74 in New York, including the 2001 self-titled debut CD appeared the band older material which was eventually recorded 1971-73. The sound quality is good, but sometimes it rushes a little tape or are there slight disturbances.

Procol Harum, Frank Zappa, Jethro Tull, The Mahavishnu Orchestra, King Crimson, Traffic and dive on in there written by DeChristopher Beihefttext. Actually, I can not this band from the music by fred hear (most probably Jethro Tull - from time to time). Jazz rock music a la Mahavishnu Orchestra was found in the band's music to some places until 1973, such as "Notes on a Picnic" and the live album "Live at The Bitter End" show. To "Fred" however, there is to hear a still rooted in the 60s, psychedelic-relaxed Protoprog reminiscent occasionally to the music of various West Coast formations (Quicksilver, Jeffersson Airplane, Iron Butterfly), which is at the same time characterized by a slightly angejazzte atmosphere and the violin with Roses gets quite personal note. Longer, complex numbers here mostly presented living from the varied interplay of keys (organ, piano, electric piano, harpsichord), fuzziger electric guitar and violin, Rose enriched with pleasant vocals and driven by the rhythm section laid-loosely be . There folky-rock influences it (the beautiful "By the Way" - with appropriate fiddling), mildly psychedelic guitar escapades and now and then all right jazz rock objections (in the second half of "a love song" and "Wind Words" for example). "Fred" is a very nice album with almost forgotten music from the early days of the U.S. Prog, which is recommended to all those with a mixture of psychedelic bluesy West Coast sounds, (Caravan) and Jethro Tull (without flute, but violin), equipped with a small shot of Zappa, can imagine!

2 comments:





  1. http://www.filefactory.com/file/qlb54x8mf1f/2926.rar

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  2. Fred have published during his lifetime only a single ("Salvation Lady" / "a love song"). Another sorts, in the 4 years professionally with cut material disappeared in the drawer. On a lucky (for all) was discovered in a German flea market by World In Sound, an record label and shortly after, their music catalog was re-released. In the new millennium appeared two archive CDs with studio recordings from fred. While "Notes on a Picnic" includes pieces recorded 1973-74 in New York, including the 2001 self-titled debut CD appeared the band older material which was eventually recorded 1971-73. The sound quality is good, but sometimes it rushes a little tape or are there slight disturbances.

    Procol Harum, Frank Zappa, Jethro Tull, The Mahavishnu Orchestra, King Crimson, Traffic and dive on in there written by DeChristopher Beihefttext. Actually, I can not this band from the music by fred hear (most probably Jethro Tull - from time to time). Jazz rock music a la Mahavishnu Orchestra was found in the band's music to some places until 1973, such as "Notes on a Picnic" and the live album "Live at The Bitter End" show. To "Fred" however, there is to hear a still rooted in the 60s, psychedelic-relaxed Protoprog reminiscent occasionally to the music of various West Coast formations (Quicksilver, Jeffersson Airplane, Iron Butterfly), which is at the same time characterized by a slightly angejazzte atmosphere and the violin with Roses gets quite personal note. Longer, complex numbers here mostly presented living from the varied interplay of keys (organ, piano, electric piano, harpsichord), fuzziger electric guitar and violin, Rose enriched with pleasant vocals and driven by the rhythm section laid-loosely be . There folky-rock influences it (the beautiful "By the Way" - with appropriate fiddling), mildly psychedelic guitar escapades and now and then all right jazz rock objections (in the second half of "a love song" and "Wind Words" for example). "Fred" is a very nice album with almost forgotten music from the early days of the U.S. Prog, which is recommended to all those with a mixture of psychedelic bluesy West Coast sounds, (Caravan) and Jethro Tull (without flute, but violin), equipped with a small shot of Zappa, can imagine!

    ReplyDelete