Music Or Not Music
01. Music against music (1:59)
02. Music for your dog (2:25)
03. The night was clear, the moon was yellow (0:12)
04. Where is the bar, Clay? (2:11)
05. Caligula's suite in horror minor (1:37)
06. My grandmother likes Andy Williams, too (2:20)
07. We don't like it either (0:46)
08. Last train to Rhythmania (5:06)
09. ... and the producer got mad (2:44)
10. Glove story (2:33)
11. Laughin' people - meanwhile starvin' children (1:30)
12. Nothing's holy (5:26)
13. Concerto for elevator (2:20)
14. War business is a good job (5:12)
15. To end or not to end (1:18)
- Francis Lonneux / drums
- Jean-Jacques Falaise / keyboards
- Jean-Paul VanDen Bossche / guitars, bass
Right from the first track you will know that you are in a special ride with the classical being superseded by a screaming Zeppelin-esque guitar. Some 15 short tracks (only three of them above the 3 minute mark and them three just barely over 5 min), most of them linked to each other will take you in a gigantic swirl of sounds, an endless barrage of tempo changes and strange time signatures.
While not really RIO or not being jazz-rock either, the feel is somehow a bit Canterbury (the humour certainly is), but I chose to place them in Avant-prog. To actually tell you which track are the best or most representative is almost impossible as all these tracks are fairly de-structured (it is still relatively simple when you have a CD at hand, but I pity the ones having bought the vinyl, trying to find out where the hell they are on the album. Clearly the structures evolved Zappa's Mothers albums even if they do not sound the same. Only the relatively structured Last Train To Rhythmania can actually give you a hint of how the album is progressing. The aptly titled "..And The Producer Got Mad" (I think I can understand why even if I could eventually guess is the he WENT mad ;-) is simply awesome, Glove Story finding the punch, to knock you on your arse. Nothing's Holy is another aptly titled track and might just be considered as the centrepiece of the album (a bit of Strauss) and the other stand out is War Business with its deadly bass line (and good guitar improvs) and short national anthems as interludes. Remember these guys, although a KB-lead trio, sound NOTHING like ELP, but a lot more towards Egg.
Ladies and gentlemen, thank you for flying, know you will be back and now welcome to Insanity Beach and it is only a very short swim to the desert island, where this album will be on your top ten.