Awake In Th Red Desert
02. A O B A 2:29
03. An Ode To D A Levy 1:26
04. My Mouths On Fire 4:20
05. 2 Awake In Th Red Desert 3:38
06. Arbutus Garden Apts. 6pm 4:31
07. Heard Ya Tellin' 2:38
08. Fires In Th Tempul 2:11
09. She Still And Curling 3:32
10. Is Yr Car Too Soft For Th Roads 0:32
11. Nd Th Green Wind 1:51
12. Yu Sing 1:10
13. Now According To Paragraph C 2:32
14. She's A Very Good Cook 2:17
15. Metting At Th Transmittrs Centr 3:36
16. Ium Going 2 Sleep Now / City Of Tomorrow 6:41
17. Th Book Is Insyde Hr Hed 4:09
Flute – Roger Tentrey
Guitar – Terry Beauchamp
Keyboards – Wayne Carr
Loops [Tape] – Ross Barrett
Percussion – Gregg Simpson, Harley McConnell, Ken Paterson, Martina Clinton
Vocals – Bill Bissett
Dedicated to Eliane Stewart, Th Adventures of Hajii Baba, suspended and no sentences, and my chakra baby.
From the beginning, in collections such as lebanon voices (1967), sunday work (?) (1969), and awake in th red desert! (1969), bill bissett's work broke down artificial barriers within and between arts. Fundamentally, his idiosyncratic phonetic and quasi-phonetic spelling represents the sound of the word as spoken: "devotions" becomes "devosyuns" and "people" "peopul." Along with white space and a lack of punctuation, this gives bissett's poems many characteristics of a musical score. awake in the red desert! even included recordings of bissett reading, and in the 1980s he released several recordings such as sonik horses (1984) and luddites (1987).
Repetition, typography, collage and the physical composition of a blewointment book also create visual and tactile patterns. For example, the poem "Liberating Skies" runs repetitions of the word "earth" together (earthearthearthearthearth) so that the word breaks down into three words that develop into a theme: earth, hear, heart. The poems in the oversized book IBM (1971), on the other hand, are all hand-written, and several suggest symbolic associations for letters as pictograms: X, for example, may be a "prayer wheel." A similar aesthetic appears in bissett's paintings, where faces merge with celestial images and bodies transform; the images aim somewhere between representation and symbol.
The strength of Bill Bissett's early work led Anansi to publish the selection NOBODY OWNS TH ERTH in 1971, the first of his books published outside of British Columbia. With an expanding audience, Bissett published more than 25 books in the 1970s, notably MEDICINE my mouths on fire (1974), and the collection of poetry and collage stardust (1975), which played off of the impersonal and symbolic qualities of iconic images. As his career has progressed, bill bissett's compositions have consolidated some of their former variety, concentrating on text and line drawings.
Frank in both language and illustrations, Bissett's poems link expressions of love to philosophical explorations of love's value, and anti-materialism to the pursuit of peace. He criticizes any attempt to control or regulate thought and experience, and has faced some opposition as a result. In 1977-78 a group of parliamentarians attempted to cut his government funding, objecting to the counter-cultural aesthetic of his work. The resulting financial difficulties forced him to sell blewointment press in 1983.
Bill Bissett remains both prolific and influential. In recent years he has published his most thoughtful work about his writing philosophy in what we have (1988) and inkorrekt thots (1993). In 2006 Nightwood Editions released radiant danse uv being, in which poets and small-press publishers paid homage to him. Nightwood has also revived the blewointment imprint to carry on Bissett's goal of publishing innovative Canadian poetry. In 2007 bill bissett was awarded the George Woodcock Lifetime Achievement Award for outstanding contributions to literature in British Columbia.
Bill Bissett together with an ensemble of ten musicians committed the Awake In Th Desert, a recorded book, to tape. In all 14 tracks were laid down and originally the project was commissioned as a companion release to the Talon Books title of the same name. That book is an even more rare collectors item than the album . It was released however, in 1968 along with a companion book in a limited edition of 500 copies by See/Hear Productions.
See Hear was a recorded magazine and AWAKE IN TH RED DESSERT was Volume 1 Number 2. Musically Awake In Th Desert is a freaky psychedelic romp that is at times, barely accessible, yet none the less intriguing.
If you took CRAZY PEOPLE, ACID SYMPHONY, MOTHERS OF INVENTION & DREAMIES and rolled them all into one, this would be pretty close. Wild drums, plunky acoustic guitars, ranting and ravoing vocals, weird noises and God knows what else those other sounds are! It's every bit a time capsule as A CID SYMPHONY was.