Crawling to Lhasa
01. Naerby shiras (9:16)
02. Jaceline (6:15)
03. Raga No 11 (5:34)
04. September fullmoon (9:35)
05. Arapaho's circle dance (2:28)
06. Tante Olga (7:31)
07. Vamos (6:48)
08. Deja vu (5:38)
- Heinz Martin / electric guitar, keyboards, flute, vibraphone, Shawm, cello, violin
- Claus Rauschenbach / guitars, vocals, congas, percussion, harmonica
A very odd band formed by the duo Claus Rauschenbach ("guitars, kongas, percussions, vocals, harmonica, slentem") and Heinz Martin ("electr. guitars, flute, piano, vibraphon, schalmi, cello, violin, synthesizer"). The band released only one album in its all career. The name KALACAKRA refers to one of the main Tantric deities of Vajrayâna Buddhism which means "wheel of time". Their sound can be called as "mantric" acid folk. Thus the compositions have a heavily eastern influence (near to "raga" rock experiences) with a lot of flute, sitar and percussions. This meditative musical background provides a few musical interludes quite charming and dreamy. The general mood of the album is dominated by solid blues guitar sections accompanied by stoned, depressive vocals (in German) and many freak out, psychedelic rock sequences. The atmosphere of Kalacakra's musical universe is rather mysterious, sinister with a few humorous accents. Consequently it is an other acid trip from the early German underground, a good mixture of prog / psych and folk ingredients.
Really gorgeous eastern psychedelic kraut (related) improv in the mood of Siloah, Parson Sound, Lamp of the Universe, Dom.Some sections contain primitive, blues damaged folk jams. The result is astonishing, highly mysterious and luminous. "Naerby Shiras" is an acoustic, repetitive, dreamy and druggy little piece, dominated by simplistic but efficient guitars motifs, some dancing flute lines and discreet narrations at the end. Really warm & acid stuff. "Jaceline" is a percussive, floating ballad within a forest ambience, accompanied by voices and words, violin contrasts and vibraphone. The "pastoral" acoustic guitar parts always prevail. "Raga no 11" features an intense, chanting like raga improvisation with rhythms and "mantra" sonorities. "September full moon" contain folkish strings and rhythms for a rather light, bucolic composition. "Arapaho's dancing dance" is bluesy like tune with circular rhythms, evasive guitar parts and kinda folky harmonica arrangements. A charming artefact with some tripped out moments!