02. Pfiffe (4:23)
03. Dracula (11:04)
a) Teen Clown
b) Park und Elfe (Sarg und Nelke)
c) Teen Clown Goes Downtown
04. Annettchen (1:19)
05. You Need Some Speed (6:28)
06. Türkis (8:36)
07. Siebert (7:03)
- Klaus Kreuzeder / Soprano & Alto saxophone, lyrikon
- Helmut Meier-Limberg / percussion
- Lutz Oldemeier / vocals
- Freddy Setz / vocals, organ, percussion, string ensemble
- Matz Steinke / bass, percussion
- Achim Gieseler / keyboards, Fender piano, Hohner D 6, Moog, string ensemble (3, 5 & 6)
- Muck Groh / guitar (2)
- Locko Richter / bass (2)
As said above, the guest musos included old Aera Muck Groh, Missing Link's Limberg and they would be joined for touring and the future next live album by ex-Embryo Roman Bunka. But Aera was now a very percussive group with two full time percussion players and most other contributing some more at a given time, thus giving often a Latino feel to the album, a bit like Pazssport did at the time, although not quite that extensive. The vinyl's first side starts very mildly with two run-of-the-mill fusion tracks that are effortlessly forgotten as soon as you hear their three-piece suite Dracula. Driven by a descending keyboard line, the group plays their heart out with Kreuzeder soloing away. The closing tidbit is also best forgotten.
The flipside doesn't really start much different, with the average opener You Need Some Speed and the closing Siebert (both above the 6-min mark, and enjoyable if not too picky), the highlight is again the longer (title in this case) track. Indeed Turkis has a slight eastern feeling and a great electric piano that does give it the edge over the rest of the album. Isn't it sad to realize that the two best tracks are indeed the most progressive rock ones? It is safe to say that this album is saved by Gieseleer's keyboards, even if the rest of the group are all ewxcellent musicians (Kreuzeder in particular), but the inspiration was not leadig the group towards adventure, but rather commercial safety.
As mentioned above a live album was up next and then the group will endure further line-up shuffles, record ever-increasing commercial jazz-fusion albums (Akataki is still worthy) on another legendary label, Spiegelei. As for the present album, it is an honest JR/F album of the time (but 79 was not the best of times for that style of music) , but we are a far cry from their firqst two albums, which are much better and should be investigated in priority.