02. Once (4:54)
03. Fantasia (5:01)
04. Where (3:32)
05. Yapituttiperslikkenberg (3:18)
06. Hommage à M... (3:07)
07. Octopus (3:58)
08. Tree of conflicts (6:45)
09. Old man's voice (7:02)
Christian Frey / grand piano, organ, synthesizers, Mellotron, voice, strings, electric piano
Martin Frey / grand piano, organ, synthesizer, Mellotron, strings
Stefan Frey / flute, English horn, cornet, trumpet, soprano saxophone
Dani Reimann / drums
Harry Schärer / bass, electric guitar, synthesizer, voice
Michi Winkler / acoustic, classic & electric guitars
They are a keyboard lover's band, including lots of mellotron. The '70s prog influences are there, especially in the Steve Hackett inspired guitar work. The closest comparison is another Swiss band, Flame Dream.
New territory is covered in more dissonant guitar sounds, and solo trumpet. There is also flute, strings and grand piano.
"Lost Paradise" is the band's only release. Shorter songs, and slick production are indicative of the times. The focus is on the instrumentals, rather than vocals (by all accounts, this is a good thing).
If you are a fan of the mellotron, or interested in late '70s / early '80s Swiss symphonic movement, this is a band you may want to seek out.
"Yapituttiperslikkenbers" is led by sax and drums until piano takes over. Check out the bass lines ! Sax returns before 3 minutes. "Hommage A M..." opens with flute, acoustic guitar and mellotron. Piano comes in and bass. Mellotron comes and goes and the tempo changes often. "Octopus" is my favourite song here. I love the piano that reminds me of Kevin Moore. After 2 minutes some good guitar with drums. Mellotron on this one as well. "Tree Of Conflict" opens piano and organ before strummed guitar comes in.The vocals are better on this one but average at best. The mellotron waves are fantastic though and plentiful. "Old Man's Voice" opens with flute before piano takes over. Drums arrive 2 1/2 minutes in as we get a full sound.The tempo picks up as flute, piano and guitar take turns leading the way.
Much better than average early 80s symphonic album. There were many of these type of private progressive rock albums released in Germany and Switzerland during this period and Eloiteron are one of the best. Trumpet adds a nice touch, and recalls the Austrian group Klockwerk Orange in a similar setting. Plenty of excellent organ, mellotron, guitar, piano, synthesizers, and flute as well. I appreciate the strong attention to melodic detail. It's primarily instrumental, though there's some sparse unobtrusive vocals that are decent. Recommended album, for certain, and holds up well after many listens. The kind of album Musea Records of France would have reissued, had they gotten to it during their prime.