02. Mëkanïk Dëstruktï? Kömmandöh (40:04)
- Klaus Blasquiz / vocals (1,2)
- Stella Vander / vocals (1,2)
- Liza Deluxe / vocals (1,2)
- Claire Laborde / vocals (2)
- Maria Popkiewicz / vocals (2)
- Didier Lockwood / violin (1,2)
- Gabriel Federow / guitar (1,2)
- Jean-Luc Chevalier / guitar (2)
- Patrick Gauthier / keyboards (1,2)
- Benoit Widemann / keyboards (1,2)
- Bernard Paganotti / bass (1,2)
- Christian Vander / drums, keyboards, vocals (1,2)
This double live album takes us back to June 1980 in Paris, France where MAGMA were performing a reunion concert. They played three nights. Two thirds of the "Theusz Hamtaahk" trilogy have been included, in fact the first self-titled movement had never (at that time) been on any of their recordings until this one. The second album consists of the third part of the trilogy "MDK" the self titled track from that famous record. This song is different from the original in that there are synths in place of horns and we also get some great violin from Lockwood.
"Theusz Hamtaahk" opens with fast paced vocals and outburts of drums. When they settle the crowd roars it's approval. Faint vocals start to build and it kicks in before 3 1/2 minutes. It settles again as female vocals come in. Nice.The tempo continues to shift. Keyboards after 6 minutes start an excellent instrumental section until about 10 minutes in. Amazing sound and rhythm here. Love the bass from Paganotti. I should mention that Gauthier and Widemann are both playing keyboards on this double album. Blasquiz and Stella are helped by four other vocalists including Christian Vander of course. Check out the nasty,growly bass 17 minutes in ! Things get a little crazy after 22 minutes followed by some equally crazy vocals. Spoken words 26 1/2 minutes in as we get some atmosphere until it kicks back in before 31 minutes. Applause after 32 1/2 minutes is interupted by waves of synths, some screams and all around freaky stuff.
"Mekanik Destruktiw Kommandoh" opens with keyboards as female vocal melodies sing over top. Bass and drums take over as the crowd cheers. Spoken words join in. Male vocals come and go along with the female ones. Prominant guitar after 7 minutes. The drumming is incredible before 11 minutes. Piano follows. It settles 13 1/2 minutes in. Christian comes in vocally as it kicks back in. Check out the filthy bass solo after 22 1/2 minutes ! The song kicks in after 26 1/2 minutes with piano and drums as bass continues to dig deep. Violin joins in as Lockwood ends up taking over. What a display he puts on ! He ends it around 33 minutes. Amazing ! Female vocals come in as bass, keyboards and drums lead the way. Intense. Drums and guitar before 34 1/2 minutes impress. That repetitive rhythm continues until about 36 minutes in when it changes. Guitar lights it up briefly after 37 minutes.