02. Bradïa Da Zïmehn Iëgah (2:18)
03. Manëh Fur Da Zëss (1:38)
04. Fur Dï Hël Kobaïa (4:55)
05. Blüm Tendiwa (3:29)
06. Ẁohldünt M/ëm Dëẁëlëss (3:29)
07. Ẁaïnsaht!!! (2:30)
08. Ẁlasïk Steuhn Kobaïa (2:46)
09. Sëhnntëht Dros Ẁurdah Süms (3:24)
10. C'est la vie qui les a menés là! (4:58)
11. Ëk Sün Da Zëss (2:16)
12. De Zeuhl Ündazïr (3:40)
- Christian Vander / drums, piano, Fender Rhodes, percussion, vocal
- Stella Vander / vocals
- Klaus Blasquiz / vocals, percussion
- Jannick Top / bass
Officially a Christian Vander solo album, Wurdah Itah is the work of the core members of Magma's classic 1973 - 1976 line up. The album was recorded in just 4 days as the soundtrack to a film version of Tristan Et Yseult, which by all accounts was less than a cinematic masterpiece, but the soundtrack more than compensates for that.
Wurdah Itah is the second movement of Theusz Hamtaahk (Time of Hatred). The third Movement, Mekanik Destruktiw Kommandoh, had been released the previous year, while the first movement, Theusz Hamtaahk, would not be released until 1981 on Retrospektiw, although an excellent version was recorded for the BBC in 1974 and can be heard on BBC 1974 Londres. All three parts were performed in their entirety on the 2000 tour, and can be heard on the excellent Theusz Hamtaahk Trilogie box set.
This is a very stripped down version of Magma: no choir, no horn section, not even a guitarist or a second keyboard player. Chris Cutler called it the clearest and most concentrated of Vander's work, and this album is a good demonstration of the melodic side of Magma. Although it is broken down into 12 short pieces, the album is really 2 lengthy sequences - tracks 1 - 6 (side 1 of the vinyl original) and tracks 7 - 12 (side 2). Live, it is performed as a continuous piece in the same way as Magma's other epics. The opening bars are the same as Theusz Hamtaahk, while later on in the album themes that would be more fully developed on MDK can be heard. These leitmotivs give the trilogy a sense of cohesion which which really falls into place when the pieces are heard in order. The wonderful Carl Orff style vocals familiar from other Magma albums are the dominant sound on this album, with Klaus Blasquiz heard to particularly good effect. Jannick Top turns in a superbly judged performance; subtle and understated without a single extraneous note. Vander likewise plays the drums with a delicate precision that the larger Magma line ups sometimes drowned out, while his piano playing is solid and assured and shows the influence of McCoy Tyner from John Coltrane's classic quartet.
Wurdah Itah is an essential part of Magma's output from their greatest era, and is a vital addition to any collection which contains MDK or Kontarkohsz. Whilst it may be atypical Magma, it could well be Christian Vander's masterpiece.