01. Floating (27:15)
02. Mindphaser (25:22)
03. Floating Sequence - Bonus (21:11)
- Klaus Schulze / ARP 2600/ARP Odyssey/Farfisa Professional organ/ Farfisa Syntorchestra/EMS Synthi A/Crumar keyboards/sequencer synthanorma 3-12 and The Big Moog
- Harold Grosskopf / drums
One of his best albums and his last great one. I don't think the majority of what he did after this comes close. Still good music just not as exciting as this one. The 1-2-3 knockout of Picture Music - Timewind - Moondawn is some of the best electronic music ever. For the first time Klaus uses the "big Moog" he bought from Florian Fricke(Popol Vuh) back in 1972/73. There is drumming here, but unlike Picture Music, Schulze is not behind the drumkit. Wallenstein drummer Harold Grosskopf does the job on both side-long epics.
I like how Schulze uses percussion as added texture to his music. Unlike Tangerine Dream, who usually just wanted the drummer to keep a beat when they used one. The drums are also pushed back in the mix so they never steal attention from the keyboards. I'm used to an older CD version which has about 30 seconds or so taken off the end of each piece. It was also re- mixed with some keyboard overdubs added.
"Floating" has The Lord's Prayer spoken in Latin or German at the beginning. I like the 'floating' voices you hear. The drumming starts off rather subdued. After 10 minutes a techno-before- techno beat appears. After 15 minutes there is some nice soloing on synth. 17 1/2 minutes there is some great drumming and another cool synth solo. Things get more intense before it starts to calm down at the end. "Mindphaser" begins with the sound of waves. Then a long ethereal section. It gets louder and more intense. I love when the drums come in about halfway thru with the organ; this part reminds me of Pink Floyd for some reason. Love the synth solo that starts before 14 minutes. Near the end there is lots of bubbling sequencers. At 24 1/2 minutes the drumming stops and we are left with ethereal soundscapes.
The drumming and organ gives this album a more organic feel. I rarely like albums which are 100% synthetic. It's nice to add some non-electric or non-electronic instruments to spice things up. One of Schulze's best albums and a good introduction to his work too. Just don't expect lots of drums on his other albums.